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Artist: Craig Douglas
Title: The Very Best Of Craig Douglas
Year Of Release: 2004
Label: EMI Gold
Genre: Vocal Pop, Pop Rock, Rock & Roll, Ballad
Quality: Mp3 320 / Flac (tracks, .cue, log)
Total Time: 01:08:17
Total Size: 255/313 Mb (scans)


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Tracklist:
01. Only Sixteen
02. Pretty Blue Eyes
03. A Teenager In Love
04. On The Sunny Side Of The Street
05. The Heart Of A Teenage Girl
06. Oh What A Day
07. A Hundred Pounds Of Clay
08. Time
09. After All
10. When My Little Girl Is Smiling
11. Five Foot Two, Eyes Of Blue
12. Another You
13. No Greater Love
14. Battle Of New Orleans
15. Our Favourite Melodies
16. A Change Of Heart
17. Carolina In The Morning
18. Come Softly To Me
19. Riddle Of Love
20. Walkin' My Baby Back Home
21. Dream Lover
22. My First Love Affair
23. What Do You Want
24. Where's The Girl (I Never Met)
25. A Painted Smile
26. It All Depends On You
27. My Hour Of Love
28. Rainbows
29. The Girl Next Door
30. Ring-A-Ding

Mild-mannered British teen idol Craig Douglas topped the U.K. charts in 1959 with "Only Sixteen," a cover of a Sam Cooke song that spent 15 weeks in the top spot. He had nearly a dozen hits between 1959-1963, all of which were featherweight cover versions of songs by American acts such as the Drifters, Gene McDaniels, Steve Lawrence and Dion. One of his hits, "Our Favourite Melodies," is a cover of an excellent regional hit by Gary Criss that didn't reach the national charts in the United States, but reached the Top Ten in England via Douglas' recording. The Very Best of Craig Douglas is a 30-song anthology of his original Top Rank and Columbia recordings from his hit period that expands upon and replaces the out of print collection, Only Sixteen. Despite the omission of two charting singles Douglas waxed for Decca in 1963, this is as exhaustive a collection as most consumers would want. In addition to the hits, Douglas sings teen-oriented arrangements of pop standards ("On the Sunny Side of the Street"), a rewrite of Johnny Horton's "Battle of New Orleans" told from the British perspective, additional covers of American pop hits, and a few songs by British composers. One of the latter, "Ring-A-Ding," is Douglas' hardest rocker, and is such a stylistic outlier that it is sequenced at the very end of the program. Douglas' delicate, precious teen sound is far more sugary than Ricky Nelson or Bobby Vee, and is more akin to the Fleetwoods minus the girl singers (in fact, his first Top Rank single was a non-charting rendition of the Fleetwoods' "Come Softly to Me.") One drawback to The Very Best of Craig Douglas is that it was manufactured using the controversial Copy Control technology that EMI abandoned in 2006.

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