Electronic Music Production - Synthesis
Last updated 9/2019
MP4 | Video: h264, 1280x720 | Audio: AAC, 44.1 KHz
Language: English | Size: 14.14 GB | Duration: 15h 1m

Learn Modern Synthesis - Hardware and Software for any genre

What you'll learn
Synthesis for Music Production
How to navigate and create your own sounds on hardware synths
How to navigate and create your own sounds on software synths
What each component on a synthesizer does
Hear a sound and know how to re create it on a soft synth or hardware synth

Requirements
A beginner level of Ableton Live

Description
Have you always wanted to approach a hardware synth like a Moog or a software synth like Massive and understand how to program it? Well this course is for you. The goal of this course is to provide students with a fundamental understanding of how synthesizers work and how to manipulate them to create the sounds they've always wanted to make.Learn essential synth elements such as oscillators, filters, and envelopes: what they do, how they work together, and how to go about creating sounds beyond the manufacturer's pre-set patches.UPON FINISHING THIS COURSE YOU WILL KNOW:How to identify just about any synthesizer by type, old or new, and how to use itHow to create any sound of your own concept using a hardware or software synthesizerHow to incorporate synthesizers and synth-style processing techniques into DAW programs like Ableton LiveHow to distinguish where your favourite "retro" synth sounds come from along with other classic sounds like those made by Moog, ARP and OberheimTOPICS COVEREDSignal Generators and Signal ModifiersTypes of Synthesis (subtractive, additive, FM, wavetable etc.)Synthesizer modules - (VCO, VCF, VCA, CV processors, LFO, Wave Shapers)Common synthesizer layoutsIncorporating synth elements into audio productionHardware vs. software - finding the right synth for youWHAT YOU WILL NEEDWe cover all the Ableton Live Synths so Ableton Live would be helpful but not mandatory. We cover Native Instruments FM8 and Massive. Again not mandatory but helpful.
Overview
Section 1: Introduction
Lecture 1 How Sound is Made
Lecture 2 What is a Synthesizer
Lecture 3 Hardware vs Software
Section 2: Hardware Synth Overview
Lecture 4 Moog Model D
Lecture 5 Moog Model D Jam
Lecture 6 Novation - Bass Station II
Lecture 7 Bass Station II Jam
Lecture 8 Roland System I
Lecture 9 Roland System I Jam
Lecture 10 Native Instrument FM8
Section 3: Types of Synthesis
Lecture 11 Types of Synthesis
Section 4: Software Synth Overview
Lecture 12 Software Synth Intro
Lecture 13 Ableton Operator
Lecture 14 Serum
Lecture 15 Geography of Analog I
Lecture 16 Geography of Analog II
Lecture 17 Loading and Saving Presets
Lecture 18 Hot Swap
Section 5: Components of a Synthesizer
Lecture 19 Oscillators Part 1
Lecture 20 Osciallators Part 2
Lecture 21 Filters
Lecture 22 Modulation
Lecture 23 Samplers and Envelopes
Lecture 24 Retriggering
Section 6: LFO's
Lecture 25 What is an LFO
Lecture 26 Operators LFO's
Lecture 27 Make a Dubstep Wobble
Lecture 28 Max For Live
Section 7: Frequency Modulation Synthesis
Lecture 29 What is FM Synthesis?
Lecture 30 FM - Part 1
Lecture 31 FM - Part 2
Lecture 32 FM - Part 3
Lecture 33 FM - Part 4
Lecture 34 Mapping and Sound Design
Lecture 35 Making an FM Arp Sound
Lecture 36 Making an FM Piano Patch
Section 8: Types of Sounds and Analysis
Lecture 37 Types of Sounds
Lecture 38 Analysis of Sound
Lecture 39 Reverse Engineering Part 1
Lecture 40 Reverse Engineering Part 2
Section 9: Physical Modelling Synthesis - Ableton Live
Lecture 41 Electric - Ableton Live
Lecture 42 Collision - Ableton Live
Lecture 43 Tension - Ableton Live
Section 10: Sampling Synthesis - Ableton Live
Lecture 44 Simpler - Ableton Live
Lecture 45 Sampler - Ableton Live
Lecture 46 Instrument Racks - Ableton Live
Section 11: Native Instruments
Lecture 47 Intro to Massive
Lecture 48 Massive Patch Excercises
Lecture 49 Intro to FM8
Section 12: How to make a Future Pad
Lecture 50 Future Pad Tutorial
Beginner and Intermediate Music Producers,Music Producers who are wanting to create their own sounds,Music Producers who want to understand synthesis,Music Producers interested in how music is made and what sounds they are hearing in their favorite tracks

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