Version

: 1.1.1

Developer

: Analog Realism[/center]
[align=center]Developer website

Analog Realism

https://analogrealism.com/pages/products.html

Format

: VST3

Discharge

: 64bit[/center]
[align=center]Tablet

: Present[/center]

[align=center]
System Requirements

: Win 10+

Description
[center]Processor Sphinx 101 | Master bus processor. Component-exact analog modeling using TrueRail technology.[/align]

[center]Three main schemes - SLL, Nevy, Amok - with twelve analog modeling mechanisms tuned to harmonic[/center]

[center]and dynamic characteristics of simulated console classes. Added known hardware circuits - Pultey, Nevy, SLL,[/align]

[center]Amok and Maney are for the equalizer, filter and all dynamic modules.[/align]

Twelve mechanisms. Always active.

01. Summing amplifier with limited bandwidth

[center]Real amplifiers are not perfect. Our simulated sumting amplifier works at the limit frequencies, adding heat,[/align]

[center]which no equalizer curve can reproduce, because it is not an equalizer, but a physicist.[/align]

02. Tolerances in the manufacture of each component

[center]In reality, there are no two capacitors with a capacity of 100 NF. Each component in Sphinx has a randomized tolerance[/center]

[center]within the real characteristics (±1% of resistors, ± 5% plugs, ±10% of the transistor gains).[/align]

[center]The left and right channels work on several different schemes - natural sound depth is impossible when used[/center]

[center]mathematically perfect components.[/align]

03. Thermal Drift

[center]Three independent slow oscillations modulate circuit parameters over time. The sound of "breathes" - it is never static,[/align]

[center]as the equipment that was included within an hour. Modulation of values for each component is insignificant, but noticeably active throughout the circuit.[/align]

04. Sagging the Power Supply Tyre

[center]When the compressor is strongly clamped, it consumes current from a common power source. The tension on the tire falls,[/align]

[center]which affects the power reserve of all other steps and the point of saturation. This is a "glue", thanks to which the compressors of the analog tyre are felt[/center]

[center]as a whole. Each module passes current and reads data from the bus to configure its own working point[/center]

- two-way contour, as in real equipment.

05. Cross-impacts in different communication channels

[center]Real equipment has a housing, power supply and a printed circuit board. Signal leaks between L and R depend on the frequency and amplify[/center]

[center]at low frequencies. Sphinx simulates this connection by creating a "broad but holistic" stereo image that cannot be achieved[/center]

[center]Monophonic treatment.[/align]

06. Transformer core hypersimosis

[center]The input transformer uses the Giles-Atherton magnetic model - the same mathematical model that is used[/center]

[center]in electrical engineering for modeling real cores. The transformer remembers the history of magnetization, which leads to[/center]

[center]to asymmetric saturation, which depends on the program, which can not reproduce any static waveformer.[/align]

[center]The harmonious balance of each core is configured according to the published electrical measurements of the simulated device.[/align]

07. The accumulation of harmonics in the chain

[center]Each cascade contributes to the formation of a harmonious spectrum. By the time the sound passes through the cascade of amplification,[/align]

[center]transformer, compressor, equalizer and output transformer, these harmonics accumulate and interact with each other unique[/center]

[center]for this chain in a way. Measured: all harmonics from H2 to H7 are present with circuit-dependent coefficients.[/align]

08. Nonlinearity of the class A crossover

[center]The Heatset of Amplations simulates small cross-distortions characteristic of real amplification topodies.[/align]

[center]SLL (bipolar transistor) generates pure harmonics of odd orders. Amok (Lamp) generates saturated harmonics of even orders[/center]

[center]with the H2/H3 ratio of more than 5:1. This is the "heat" and "presence" that determine the nature of each cascade.[/align]

09. Formation of frequency characteristics of cross interference

[center]The relationship between the left and right channels is not linear - it is stronger at certain frequencies, which corresponds to the behavior of real printing boards.[/align]

[center]This creates a frequency-dependent stereophonic interaction, thanks to which analog consoles are famous for their three-dimensional picture.[/align]

10. Dependence of the compressor on the program

[center]The behavior of the compressor changes depending on what it processes. The lamp compressor Vari-Mu, which is active,[/align]

[center]The increase reduction curve is different from that of the compressor that is idle. The eighth share of the shock batch in the map and grows[/center]

[center]noticeably different compression from the first share. Measured: up to 82% of changes depending on the program.[/align]

11. Memory of the Transformer

[center]The heart saturation curve depends on what signal has been received in it recently. A loud bass note changes the working point of the magnetic field,[/align]

[center]Influencing how the transformer processes the next transition process. This "memory" creates a lively, dynamic sound,[/align]

[center]which distinguishes real transformers from static saturation curves.[/align]

12. Interaction of phases between modules

[center]Each module makes frequency-dependent phase shifts. They interact with each other along the entire chain, creating barely noticeable[/center]

[center]Structative and destructive interference at the boundaries of modules. This is what gives real analog chains a characteristic "depth"[/align]

[center]A sense of length that is rare in digital processing.[/align]

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