It's only twelve miles long and two miles wide, but it has more money for its area, more history packed into its relatively brief settlement, and more emotional and intellectual energy coursing through its streets than any other place on earth. Manhattan is the setting for all of Louis Auchincloss's fiction, and it is the stage on which those New Yorkers whose roots go down to its bedrock play out the drama of their lives.
From the turn of the century to our present urban follies, these stories follow the fortunes of the socially secure and powerful as they try to cope with the changes shaped by the momentous events and growing anxieties of recent decades. Taken together, the tales weave a larger pattern of human strengths and foibles that bemuses the mind and touches the heart.
The elegant prose, crystalline dialogue, immense insight into the mores, preoccupations, and afflictions of the rich, and the connoisseur's sense of both art and life that are characteristic of Auchincloss - all are here, but with a depth of passion and irony exceeding anything he has accomplished in the past.

Table of Contents:
A Diary of Old New York
The Stations of the Cross
The Wedding Guest
Marcus: A Gothic Tale
The Shells of Horace
America First
Portrait of the Artist by Another
No Friend like a New Friend
The Reckoning
The "Fulfillment" of Grace Eliot
The Senior Partner's Ethics
The Takeover