FLAC (tracks) | 4h 33 min | Classical | 1.1 GB

01. La Traviata / Act 1 : Prelude

02. La Traviata / Act 1 : "Dell'invito trascorsa è già l'ora"

03. La Traviata / Act 1 : Libiamo ne'lieti calici

04. La Traviata / Act 1 : "Che è ciò"

05. La Traviata / Act 1 : "Un dì felice, eterea"

06. La Traviata / Act 1 : "Ebben che diavol fate"

07. La Traviata / Act 1 : "Si ridesta in ciel l'aurora"

08. La traviata / Act 1 : "E strano! ... Ah, fors'è lui"

09. Symphony No. 5 in C Minor, Op. 67 : I. Allegro con brio

10. Symphony No. 5 in C Minor, Op. 67 : 2. Andante con moto

11. Symphony No. 5 in C Minor, Op. 67 : 3. Allegro

12. Symphony No. 5 in C Minor, Op. 67 : 4. Allegro

13. Die Fledermaus : Overture

14. Die Fledermaus / Act 1 : Nr. 1 Introduktion: "Täubchen, das entflattert ist"

15. Die Fledermaus / Act 1 : Nr.1a (Duettino): "Ach, ich darf nicht hin zu dir!"

16. Die Fledermaus / Act 2 : Nr.6 Introduktion: "Ein Souper heut uns winkt"

17. Die Fledermaus / Act 2 : Nr.7 Couplet: "Ich lade gern mir Gäste ein"

18. Die Fledermaus / Act 2 : Nr.8 Ensemble und Couplet: "Ach, meine Herr'n und Damen"

19. Die Fledermaus / Act 2 : Polka "Unter Donner und Blitz", op.324

20. Die Fledermaus / Act 3 : Nr.12 Entr'acte

21. Die Fledermaus / Act 2 : "Mein Herr Marquis"

22. Symphony No.4 In E Minor, Op.98 : 1. Allegro non troppo

23. Symphony No.4 In E Minor, Op.98 : 2. Andante moderato

24. Symphony No.4 In E Minor, Op.98 : 3. Allegro giocoso - Poco meno presto - Tempo I

25. Symphony No. 4 in E Minor, Op. 98 : 4. Allegro eneo e passionato - Più allegro

26. Der Freischütz, J. 277 : Overture

27. Der Freischütz, J. 277 / Act 1 : "Viktoria! Viktoria! ..." - Bauern-Marsch - "Schau der Herr mich an als König!"

28. Der Freischütz, J. 277 / Act 1 : "O diese Sonne" - "Das Wild in Fluren und Triften"

29. Der Freischütz, J. 277 / Act 1 : Walzer

30. Der Freischütz, J. 277 / Act 3 : Entr'acte

31. Der Freischütz, J. 277 / Act 3 : "Was gleicht wohl auf Erden dem Jägervergnügen"

32. Symphony No.3 In D, D.200 : 1. Adagio maestoso - Allegro con brio

33. Symphony No.3 in D Major, D.200 : 2. Allegretto

34. Symphony No.3 In D, D.200 : 3. Menuetto (Vivace)

35. Symphony No.3 In D, D.200 : 4. Presto. Vivace

36. Tristan und Isolde, WWV 90 : Prelude

37. Tristan und Isolde / Act 1 : "Westwärts schweift der Blick"

38. Tristan und Isolde / Act 1 : "Frisch weht der Wind der Heimat zu"

39. Tristan und Isolde / Act 1 : "Weh, ach wehe! Dies zu dulden"

40. Tristan und Isolde / Act 1 : "Auf! Auf! Ihr Frauen!"

41. Tristan und Isolde / Act 1 : "Herr Tristan trete nah!" - "Begehrt, Herrin, was Ihr wünscht"

42. Tristan und Isolde, WWV 90 / Act 1 : "Tristan! - Isolde! Treuloser Holder!"

43. Tristan und Isolde / Act 2 : Prelude

44. Symphony No.8 In B Minor, D.759 - "Unfinished" : 1. Allegro moderato

45. Symphony No.8 In B Minor, D.759 - "Unfinished" : 2. Andante con moto

Carlos Kleiber was one of the legendary conductors of his , famous for his infrequent, but supreme interpretations of a limited repertory. The New York s called him "the most venerated conductor since Arturo Toscanini." Carlos Kleiber was born in Berlin, but was raised in Argentina. He was interested in music from an early age, despite opposition from his famous father, the conductor Erich Kleiber. Carlos settled in Europe in 1952 to become a repétiteur at the Theater am Gärtnerplatz in Munich. He made his debut conducting Millöcker's Gasparone in Potsdam in 1954. He attained another répétiteur position in 1956 at the Deutsche Oper am Rhein in Düsseldorf and was promoted to conductor in 1958. From 1964 to 1966 he was a conductor at the Zürich Opera, then first conductor at the Württemberg State Theater in Stuttgart (1966-1968). From 1968 to 1978 he was a conductor at the Bavarian State Opera in Munich.

During this period he made notable guest appearances. His British debut was conducting Berg's Wozzeck at the Edinburgh Festival in 1966. His Vienna debut was leading Tristan und Isolde in 1973, and he debuted at Bayreuth conducting the same work. In 1974 he appeared for the first at Covent Garden and La Scala, in both cases conducting Richard Strauss's Der Rosenkavalier. His American debut vehicle was with Verdi's Otello in San Francisco. He made his debut at the Met in 1988. Subsequently, he also appeared as a conductor of orchestral concerts, including performances with the Chicago Symphony, the Vienna Philharmonic, and the Berlin Philharmonic.

After Kleiber gave up his position in Munich, he did not enter into another permanent relationship with an orchestra or opera house, preferring instead to make rare guest appearances. Kleiber was a tireless perfectionist who possesses a remarkable intensity in rehearsal and performance. He produced performances of refined, polished execution that strip away everything but the composer's purest intentions. Kleiber released only a few recordings, but each one is considered a masterpiece of interpretation. His repertory came primarily from the Classical and Romantic repertoire, including Beethoven, Brahms, and Mozart symphonies and overtures. Among the highlights of his career were his interpretations of opera, including Der Rosenkavalier, and Johann Strauss' Die Fledermaus. His repertoire also included waltzes and other lighter works, which he performed on the Vienna Philharmonic's New Year's concerts. Some of his opera productions, and a documentary of his rehearsal and conducting technique, are available on video. A very private man, he avoided public appearances and press interviews. He became a naturalized Austrian citizen in 1980. ~ Joseph Stevenson
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